An exploration of “finishing”

An exploration of “finishing”

Last week, I finished a collection of stories I’ve been working on for twelve maybe thirteen years. I have memories of a retreat I went on with a writer friend somewhere along the way where I mapped out all the stories and their interconnections using overlapping circles and colored markers. This friend took a picture of me lying belly down on the deck of the cabin where we were staying. I look happy in the picture. I had finished the task of planning. That was twelve years ago. 

I came across that diagram the other day when I was cleaning out my file cabinet. Reviewing it’s contents, I had to laugh. So much had changed! The story hadn’t gone at all the way I thought it would. Characters names had changed. The order of stories and their titles too were unrecognizable to me. The seed idea was sort of the same, but even that had evolved to be something more specific than I had started with. 

As I was writing the last story in the collection, an insight came up for me that I’d had before. One of those lessons as a writer or a practicer of anything that we have to learn over and over. It is of course the goal of writing to some day finish. And by finish I mean feel satisfied that you’ve done all you can with a piece,  that it really is time to send it on it’s way into the world to see how it goes. The problem is that when we focus on finishing, we compromise the work itself.

Writing is a practice of staying in the moment, of being willing to be honest and present enough to bring the words to life. If in the back of your mind your desire to finish is nagging away, it will infect your work. The focus and attention to the moment of each story became more difficult to sustain the closer I got to the end. I kept starting and stopping because when my mind strayed to the future where I was finished, I knew the writing would be no good. It reminded me of the stories Dillard tells in The Writing Life  about some of the crazy things writers do to keep themselves in the flow. 

So I’ve “finished” and am taking a brief pause in taking up any big projects, taking the time to do some deep yoga work and write frivolous poems and stories for a few months. Four of the stories in the collection have found a place in the literary world. Below are links to where you can read those stories. Look for the whole collection in the not so distant future. 

May you make time and find flow, friends. 

The stories:

“Hungry”

“Desire”

Willpower

“Or Best Offer”

Interested in hiring me as a coach to get you boosted with your writing goals?  Find free resources and information here.

Some past posts to keep you making time: 

Adjust your pace accordingly.

It’s about the routine and how you shake up the routine

There are things you will have to give up

See it to achieve it

Washing the dishes

Write slowly

A celebration of the pause

Monday, a run through the driving rain

Zen accident

Get out of your comfort zone

Liz Shine teaches high school English, writes, edits, and coaches other writers from her home in Olympia, WA. When she begins to feel overwhelmed by it all, she simply looks up at Mount Rainier in the distance and gets back to work. If that fails, she heads to the ocean. She is a founding editor at Red Dress Press. Her Substack Make Time is her gift to writers, like her, trying to magic time in this crazy, busy world. All of those posts are cross-posted on the blog here. You can see more of her writing at lizshine.com and find her on Instagram {@lizshine.writer} cooking, traveling, and in other ways seeking moments of awe. She has been an active participant in communities of writers since the early 1990s. She’s learned that two things feel truly purpose-driven in life: writing and coaching other writers. In the in between (because one cannot be driving for a purpose every moment), she enjoys looking for wonder and connection. She is a lifelong yoga student, an enthusiastic walker along streets and trails, and an amateur gardener and vegetarian cook. She lives in Olympia, WA in the USA. She believes in the power of practice and has been practicing writing since some time in the early 90s when she became an adult in the rain-soaked city of Aberdeen. Writing began with journaling, as a way to understand a confusing, sometimes violent coming-of-age. She writes mostly fiction, some nonfiction, and poetry, and holds an MFA from Pacific Lutheran University’s Rainier Writers Workshop. She has published in Shark Reef, Dual Coast, and Blue Crow Magazine. She is a founding editor at Red Dress Press.