Some short stories and a poem

“The Overcoat” by Gogol

I know Gogol was a realist, that he preferred to write about “dull and repulsive” characters, but there does seem to be an optimism there. However mundane Akaky’s work and life are, there is still this possibility that hovers beneath the surface of the story, telling the reader to choose creative work, that if one isn’t lucky enough to secure a life’s work doing something creative then it’s essential to have some kind of creative outlet. Also, this story demonstrates the tragedy that there are some people who work and work and work for so little material reward. Blah. Blah. Blah. The story just made me think how having creativity and love are what make life worth living. Akaky was dull and repulsive, but there was a hint that he could have been something more, and that is why we care about his sad fate, and why his story makes us reflect and take inventory of our own lives.

“A Company of Laughing Faces” by Nadine Gordimer

“She longed to break through the muffle of automatism with which she carried through the motions of pleasure. There remained in her a desperate anxiety to succeed in being young, to grasp, not merely fraudulently to do, what was expected of her.” This story is about loss of innocence and how society, its expectations and conventions, assault the individual. The “one truth and the one beauty” for Kathy is not just the sight of the dead boy, but also what he stood for: innocence, curiosity and awe.

“Young Goodman Brown” by Nathaniel Hawthorne

How easily our faith is shaken. Hawthorne’s naming of Goodman Browne’s wife was no accident. Evil exists. People are weak and flawed. You’ll be miserable if you let the knowledge of that shake you.

From “He is More Than a Hero” by Sappho

“If I meet you suddenly, I can’t speak—my tongue if broken; a thin flame runs under my skin, seeing nothing, hearing only my own ears drumming, I drip with sweat, trembling shakes my body and I turn paler than dry grass. At such time death isn’t far from me.”

In my experience, I’ve only felt this way about someone who is still what I imagine them to be, because I haven’t spent sufficient time with them to see them for who they really are. This kind of infatuation is more of a self-love—a worshipping of our own imagination. There are far deeper loves, though they are less showy, than that.

“Sweat” by Zora Neale Hurston

I admire authors who do dialect well. It’s something I’m not so confident in. Maybe I lack a refined sense of the sound of language. Maybe I’ve focused too much on word meanings. Anyway, Sykes got what he deserved and now Delia can live free. This story seems to be warning about how our sins come back to haunt us—snake and all.

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Some past posts to keep you making time: 
Adjust your pace accordingly.
It’s about the routine and how you shake up the routine
There are things you will have to give up
See it to achieve it
Washing the dishes
Write slowly
A celebration of the pause
Monday, a run through the driving rain
Zen accident
Get out of your comfort zone

Liz Shine teaches high school English, writes, edits, and coaches other writers from her home in Olympia, WA. When she begins to feel overwhelmed by it all, she simply looks up at Mount Rainier in the distance and gets back to work. If that fails, she heads to the ocean. She is a founding editor at Red Dress Press. Her Substack Make Time is her gift to writers, like her, trying to magic time in this crazy, busy world. All of those posts are cross-posted on the blog here. You can see more of her writing at lizshine.com and find her on Instagram {@lizshine.writer} cooking, traveling, and in other ways seeking moments of awe. She has been an active participant in communities of writers since the early 1990s. She’s learned that two things feel truly purpose-driven in life: writing and coaching other writers. In the in between (because one cannot be driving for a purpose every moment), she enjoys looking for wonder and connection. She is a lifelong yoga student, an enthusiastic walker along streets and trails, and an amateur gardener and vegetarian cook. She lives in Olympia, WA. She believes in the power of practice and has been practicing writing since some time in the early 90s when she became an adult in the rain-soaked city of Aberdeen. Writing began with journaling, as a way to understand a confusing, sometimes violent coming-of-age. She writes mostly fiction, some nonfiction, and poetry, and holds an MFA from Pacific Lutheran University’s Rainier Writers Workshop. She is a founding editor at Red Dress Press.